I'm working on Mozart's Rondo Alla Turca, and am trying to decide on the best fingering for bars 33-58.
Any info or recommendations for the best sheet music / fingering would be greatly appreciated.
I think I've figured out bar 33 (lol), but am stuck iight away at the beginning of the next bar, trying to figure out how to play the Db-Eb- F,Db and get setup for the F#-F-F#-G#
thx
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Posted 10 Months, 3 Weeks ago
bgneub
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Posts: 179
I sent you a GIF scanned score...
See if this helps
Check email...
Bye Bye
Andrea Gumirato Bologna - Italy
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Posted 10 Months, 3 Weeks ago
Elder
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Posts: 188
Counting from the beginning, measure 33 puts you near the end of the 'octave' section. An A Major chord on the left hand and the descending octaves with the right. I don't see any flats anywhere in the entire piece.
I think you're asking about the right hand fingering for the following section. The fingering is straightforward, and you simply want to avoid the thumb on the sharps. In my edition, the first bar of the section (#36) starts with 3 on the C#, and you play the remain three notes with the fingers that fall on the keys. The following measure has 1 on the A, 5 on the B, 4 on the A, and 3 on the G#. That should put your hand in proper position for the balance of the measure and the E#-F#-G#-E# in the following measure.
- - Gary L. Reply to the newsgroup only
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Posted 10 Months, 3 Weeks ago
Rolf Guthmann
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Posts: 215
Gary,
Thx.
My bad for mixing sharps and flats <g>.
Can you tell I'm a little weak on the musical theory end of things
Thx for the fingering suggestions.
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Posted 10 Months, 3 Weeks ago
Linda2
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Posts: 220
Happy to help. I've been working on the piece for a while and I'm finally get it to sound decent at a reasonable tempo. Be sure to pay close attention to the slurs, staccato marks, etc. Phrasing and technique are very important to creating the proper feeling for this piece.
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Posted 10 Months, 3 Weeks ago
Banquo's Ghost
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