I've been transferring a Melodiya/Angel LP from 1972 containing two Tartini sonatas ('The Devil's Trill' and 'Didone abbandonata'

and Brahms' Op. 78 sonata, performed by David Oistrakh and Frieda Bauer. The recorded sound is very good, especially considering it's from Melodiya. What I find most impressive about this music though, is the awesome combination of power, passion and *control* that Oistrakh brings to the Tartini. I've heard 'The Devil's Trill' several times before, but nothing like this. The Brahms certainly has power and passion, but it's of a different sort - almost a release of tension after the Tartini.
Tartini's productive lifespan overlaps that of Vivaldi, and 'The Devil's Trill' is a Baroque sonata from 1713 - yet it sounds nothing like Vivaldi's music to me. In fact, I didn't know that any Baroque music could sound like that. What's the deal here, anyway?
I looked at Tower online, MDT and ArchivMusic, and found the Brahms in what is probably the same performance (same year anyway) in a 6 CD Praga set. Didn't find the Tartini performance on CD though. Anyone know of such a release?